Course: British Literature up to 1880

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Course title British Literature up to 1880
Course code KAA/BRL3
Organizational form of instruction Seminar
Level of course Master
Year of study 1
Semester Winter and summer
Number of ECTS credits 4
Language of instruction English
Status of course Compulsory-optional
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Course availability The course is available to visiting students
Lecturer(s)
  • Jelínková Ema, Mgr. Ph.D.
  • Livingstone David, Mgr. Ph.D.
  • Peprník Michal, prof. PhDr. Dr.
Course content
Particular attention will be paid to the following works of major authors of the given period: COURSE PROGRAM AND EXAM TOPICS 1. Old English/Anglo-Saxon Literature (anonymous bards, Caedmon, Beowulf, The Wanderer) Reading: Beowulf, The Wanderer 2. Medieval English Literature(Geoffrey Chaucer, Sir Gawain and the Green Knight (15th ct.) Reading: Chaucer: General Prologue, "The Miller's Tale," "The Woman of Bath's Tale," "The Merchant's Tale," "The Pardoner's Tale" (Canterbury Tales, 1400), anon.: Sir Gawain and the Green Knight (15th ct.) 3. The Elizabethan Age and Jacobean Era (Edmund Spenser, Walter Raleigh, Christopher Marlowe, Ben Jonson, John Donne, George Herbert, Sir John Suckling) Reading: Twelfth Night (1601-2), Sonnets: 20,116, 129, 130, 138, 144; Spenser: The Faerie Queene: Book 1 (1590), Raleigh: "Answer to Marlowe"; Marlowe: "The Passionate Shepherd to his Love", Jonson: "On My First Son", "Song: To Celia", "My Picture Left in Scotland", Donne, "Song", "The Good Morrow", "The Sun Rising", "Break of Day", "The Flea", "The Bait", "A Valediction: Forbidding Mourning", "Elegy 19. Going to Bed", "Holy Sonnets VI and X"; Herbert, "Easter-Wings", "The Collar", "Love (III)"; Suckling: "Song" 5. The Puritan Revolution and John Milton, Andrew Marvell Reading: Milton: Paradise Lost (1667), Marvell: "To His Coy Mistress" 6. The Restoration Period and its Aftermath (William Wycherley - The Country Wife (1675), George Farquhar, John Dryden, Sir George Etherege) Reading: George Farquhar: The Beaux' Stratagem (1707) 7. The Beginnings of the Novel (Daniel Defoe, Samuel Richardson: Pamela (1740), Henry Fielding: Joseph Andrews (1742) Reading: Daniel Defoe: Moll Flanders (1721) 8. Notable Satirists (Alexander Pope, John Gay, Jonathan Swift) Reading: Pope: "The Rape of the Lock" (1712), Swift: Gulliver's Travels (1726) 9. Sentimentalism and Gothic Fiction (Laurence Sterne, Oliver Goldsmith, M.G. Lewis, Horace Walpole, Ann Radcliffe) Reading: Laurence Sterne: Tristram Shandy (1759-1767, Vol. 1-3), Oliver Goldsmith: The Vicar of Wakefield (1766), S.Johnson: Rassellas, Prince of Abyssinia, Matthew Gregory Lewis: The Monk 10. Ladies in Literature(Aphra Behn, Eliza Haywood, Charlotte Lennox, Fanny Burney, Jane Austen -only the juvenilia) Reading: F.Burney: Evelina, J.Austen: Juvenilia (tba) 11. Eighteenth-century Drama (John Gay, Richard Brinsley Sheridan, Oliver Goldsmith) Reading: John Gay: The Beggar's Opera (1736) 12. Critical Miscellania (Samuel Johnson, Daniel Defoe, Alexander Pope, Jonathan Swift) For each topic you should read at least 1 novel/drama, or 3 short stories/essays, or 10 poems.

Learning activities and teaching methods
Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook), Activating (Simulations, Games, Dramatization)
  • Attendace - 24 hours per semester
  • Homework for Teaching - 56 hours per semester
  • Semestral Work - 10 hours per semester
  • Preparation for the Course Credit - 10 hours per semester
Learning outcomes
The mandatory course, intended for third-block students, focuses on Anglo-Saxon literature from 700 up to the 18th century. Students will be introduced to the beginnings of Anglo-Saxon literature, including anonymous bards, Beowulf and others. The course proceeds with medieval literature, particularly the work of Chaucer. The next topics are Renaissance poetry and Elizabethan and Jacobean drama. Special attention is devoted to the writings of William Shakespeare. The course further focuses on the Restoration and the following periods. Other topics on the syllabus include the beginnings of the novel, major satirists, Gothic fiction and women in literature.
Students will acquire: - a knowledge of older English literature, - knowledge of primary and secondary sources relevant to the given period, - an understanding of the development of literature and of the main genres in relation to social and cultural changes, - an understanding of the specific character of literary representation, - an understanding of the connections between the past and the present, mediated by literature, - an appreciation for the value of cultural heritage, - knowledge of basic literary terminology and MLA bibliography norms, - greater competence in interpreting literary texts, - greater competence in structuring and writing essays, - improved ability to take part in a scholarly discussion.
Prerequisites
No special requirements apart from a knowledge of basic literary terms and the ability to analyse a work of literature.

Assessment methods and criteria
Student performance

The course requirements are: - active participation, - reading five items relevant to the period, - an essay or a presentation of adequate length.
Recommended literature
  • Carter, Ronald, and John McRae. (2001). The Routledge History of Literature in English: Britain and Ireland. London.
  • Currie M. (1998). Postmodern Narrative Theory. Basingstoke.
  • Goring P. (2008). Eighteenth-Century Literature and Culture. New York.
  • Hammond P. (2009). Restoration Literature. Oxford.
  • Keymer T. (2004). English Literature 1740-1830. Cambridge.
  • Langford P. (2000). A Very Short Introduction to Eighteenth-Century Britain. Oxford.
  • Peck J. (1984). Literary Terms and Criticism. Basingstoke.
  • Richetti J. (1996). The Eighteenth-Century Novel. Cambridge.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester
Faculty: Faculty of Arts Study plan (Version): English Philology (2019) Category: Philological sciences 1 Recommended year of study:1, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): English Philology (2024) Category: Philological sciences 1 Recommended year of study:1, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): English for Translators and Interpreters (2017) Category: Philological sciences 2 Recommended year of study:2, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): English Philology (2024) Category: Philological sciences 1 Recommended year of study:1, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): English Philology (2024) Category: Philological sciences 1 Recommended year of study:1, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): English Philology (2020) Category: Philological sciences 1 Recommended year of study:1, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): English Philology (2019) Category: Philological sciences 1 Recommended year of study:1, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): English for Translators and Interpreters (2024) Category: Philological sciences 1 Recommended year of study:1, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): English for Translators and Interpreters (2019) Category: Philological sciences 1 Recommended year of study:1, Recommended semester: -
Faculty: Faculty of Arts Study plan (Version): English Philology (2019) Category: Philological sciences 1 Recommended year of study:1, Recommended semester: -