|
Lecturer(s)
|
-
Spáčilová Jana, doc. Mgr. Ph.D.
|
|
Course content
|
1. Periodisation of the history of Early music. Music in Antiquity. Musical-theoretical system of ancient Greek music, aesthetics, theoretical files, notations, the oldest relics. 2. Music in the Middle Ages. Christian monophonic liturgical singing. Non-European sources of psalms and hymns, antiphonal and responsorial way of interpretation. A characteristic of main genres of Gregorian chant, psalm and non-psalm singing. Mass and non-mass liturgies, the course of the liturgical year. 3. Types of European liturgy before the reform. Gregorian chant and its development phases. 4. Secular monophony, French court lyric and epic, its parallels in other countries, types of Medieval songs. Secular instrumental music, contemporary instruments. 5. Polyphony and its development phases. The Notre-Dame school, the significance of Léonin and Perotinus. Main polyphonic techniques and forms. 6. Ars antiqua main representatives, basic music forms, the Franconian and Petronian Motet, music theories. 7. French ars nova, main representatives and their achievements. Main forms of spiritual and secular forms. Music of the Trecento, representatives and forms. 8. Music theories, fundamental documents, figures, theory of counterpoint. 9. Music in the Renaissance period. 1st and 2nd generation of the authors of Dutch polyphony. Main forms of spiritual and secular music. 10. Younger generations of Dutch polyphony. A characteristic of musical language, the birth of the harmony. 11. Middle Age music in Czech Lands. Main sources, sociologic and cultural contexts. 12. Renaissance music in Czech Lands. Main sources, sociologic and cultural contexts.
|
|
Learning activities and teaching methods
|
Lecture, Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming)
- Preparation for the Course Credit
- 10 hours per semester
- Homework for Teaching
- 20 hours per semester
- Preparation for the Exam
- 40 hours per semester
- Attendace
- 24 hours per semester
- Semestral Work
- 6 hours per semester
|
|
Learning outcomes
|
The goal is to get reliable orientation in the characteristics (historical, theoretical, aesthetic and functional) of developmental stages of music from ancient times to the beginnings of the Baroque.
Being familiar with the historical context and the basic stylistic and stylish signs of individual stages in history of music. The ability to orient oneself in a music recording (written or audible) from historical times up until the year 1600. The ability to evaluate the repertoire of musical elements and their dramaturgy. The ability to apply the gained knowledge in other scientific research or teaching activity.
|
|
Prerequisites
|
History of european music.
|
|
Assessment methods and criteria
|
Written exam, Seminar Work
75 percent of participancy, activity, reading, paper, 60 percent of success rate in test
|
|
Recommended literature
|
-
Apel, Willi:. (1986). Medieval Music. Stuttgart.
-
Brown, Howard Mayer. (2012). Hudba v renesancii. Bratislava : Hudobné centrum.
-
Ćerný Jaromír a kol. (2005). Historická antologie hudby v českých zemích do cca 1530. Praha.
-
Černý, J., Kouba, J., Lébl, V., Ludvová, J., Pilková, Z., Sehnal, J., & Vít, P. (1989). Hudba v českých dějinách: od středověku do nové doby. Praha: Supraphon.
-
Černý, Miroslav K. (2006). Hudba antických kultur. Olomouc.
-
Dykast, Roman. (1998). Hudba věku melancholie. Praha.
-
Eggebrecht, Hans Heinrich:. (1991). Musik im Abendland.. München.
-
Gülke Peter. (1975). Mönche, Bürger. Minnesänger. Lipsko.
-
Hoppin, Richard H. (2007). Hudba stredoveku. Bratislava : Hudobné centrum.
-
Hrčková, N. (2005). Dějiny hudby I. Středověk . Praha.
-
Hrčková, N. (2005). Dějiny hudby II. Renesance. Praha.
-
Kouba, J. (1988). ABC hudebních slohů: od raného středověku k W.A. Mozartovi. Praha: Supraphon.
-
Kühn Clemens. (1998). Kompositionsgeschichte in kommentierten Beispielen. Kassel.
-
Palisca, C.V. Norton Anthology of Western Music. London, New York 1996. 2 sv..
-
Schering Arnold. (1931). Geschichte der Muik in Beispielen. Lipsko.
-
Taruskin Richard. (2005). The Oxford History of Western Music. Oxford.
|