|
Lecturer(s)
|
-
Vančát Jaroslav, doc. PhDr. Ph.D.
-
Foret Martin, Mgr. Ph.D.
|
|
Course content
|
1st Fundamentals of Physiology perception 2nd Perception images 3rd Image and the time I 4th Dispozitive 5th Problems of analogy 6th Problems of iconism 7th The image and meaning / sense 8th Composition 9th Codes (perspective, etc.) 10th Image and Time II? sequence 11th Image and narrative 12th Creative and aesthetic 13th From drawing and painting canvases and photography to moving images (film)
|
|
Learning activities and teaching methods
|
|
Lecture
|
|
Learning outcomes
|
The course provides the basic concepts of the theory of creation and perception of an image, whether in painting theory, theory of photography, film theory and other disciplines (eg psychology), and places them in the context of comprehensive media communications. The center of interest are the possibilities of interpretation and analysis of visual communication. They outlined the basic concepts of models of understanding and theoretical reflection image video communication and visual experience. The aim of this course is to enhance visual literacy and analytical skills to reflex visual communication, as in the case of static images (images in the narrower sense, photographs, etc.) and dynamic (movie, TV, etc.).
Students acquire basic knowledge about fundamental topics of theory of image Students acquire a set of key terms for interpreting the image Students evaluate the role of the image in the current society
|
|
Prerequisites
|
ability to work with specialized texts
|
|
Assessment methods and criteria
|
Seminar Work
Requirements for credit: - Regular active participation in seminar (max. 2 absences) - Preparation for seminars (knowledge of assigned texts) - Final test (80% success rate) Requirements for examination: - Final paper (5 standard pages) - Knowledge of the discussed topics and key terms
|
|
Recommended literature
|
-
Aumont, J. Obraz. Praha 2005.
-
Císař, J. Co je to fotografie? Praha 2004.
-
Filipová, M. Možnosti vizuálních studií, Barrister a Principal, Brno 2007.
-
Gombrich, E. H. Umění a iluze. Studie o psychologii obrazového znázorňování. Praha 1985.
-
Liévre-Crossonová, É. Rozumět malířství. Praha 2006.
-
Monaco, J. Jak číst film. Svět filmu, médií a multimédií. Praha 2006.
-
Zvěřina, J. Výtvarné dílo jako znak. Praha 1971.
-
Žegin, L. F. Jazyk malířského díla. Konvencionální povaha umění minulosti. Praha 1980.
|