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Lecturer(s)
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Marini Alessandro, doc. Mgr. Ph.D.
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Course content
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Roots and traditions of Italian song. Song genres, musical instruments, the relation between the artist and his audience. Neapolitan song. Song and socio-cultural evolution in the 60´s: Modugno, Paoli, Tenco, Janacci, etc. The turn of the 60´s and 70´s and the early production by Fabrizio De André. Further evolution in production by Fabrizio De André. Selected authors of the 70´s: Battisti, De Gregori, Dalla etc.
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook), Projection (static, dynamic)
- Homework for Teaching
- 25 hours per semester
- Attendace
- 25 hours per semester
- Preparation for the Exam
- 50 hours per semester
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Learning outcomes
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The aim of the course is to learn the Italian songster production as a social phenomenon.
Learning the Italian songster production as a way for understanding the Italian society, history and language variety.
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Prerequisites
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None.
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Assessment methods and criteria
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Mark, Oral exam
Active participation in seminars, preparation for every lesson. Passing the exam.
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Recommended literature
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(199). La Canzone Italiana. Milano: Fabbri.
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(1996). Versi Rock, La lingua della Canzone Italiana negli Anni ?80 e ?90, Accademia degli Scrausi. Milano: Rizzoli.
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D. Bisutti. (1992). La Poesia Salva la Vita. A. Mondadori, Milano .
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G. Baldazzi, L. Clarotti, A. Rocco. (1990). I Nostri Cantautori. Thema Ed., Bologna.
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L. Costamagna. (1992). Cantare l`Italiano. Guerra Ed., Perugia .
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