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Lecturer(s)
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Marini Alessandro, doc. Mgr. Ph.D.
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Course content
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The subject of the course is Nanni Moretti's filmography, one of the authors who most characterized and influenced Italian film production in the last 40 years. The analysis of his best films leads to an understanding of the development of the author's cinematography, in which ideological and linguistic non-conformism overlaps in typologically very different solutions, with a bitter reflection on the current social and political context. The course mainly includes the following films: Bianca (1984) Caro diario (1993) La stanza del figlio (2001) Habemus Papam (2011) Santiago, Italia (2018). Each projection is followed by an analysis of the most important sequences, both in terms of thematic, style and film language. Critics and other studies will be used to interpret selected films. All materials will be available in moodle. The course ends with an oral interview verifying the knowledge and skills based on the content of the course..
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook), Analyzing and producing audiovisual content
- Attendace
- 25 hours per semester
- Homework for Teaching
- 25 hours per semester
- Preparation for the Exam
- 50 hours per semester
- Semestral Work
- 25 hours per semester
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Learning outcomes
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Knowledge of film language and its rhetorical and expressive value. Basic knowledge of Italian cinematography. In-depth knowledge of some classics of Italian cinema.
Students will acquire basic knowledge of the history of Italian cinema. Masterpieces of italian film history will be studied that student will be able to analyze.
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Prerequisites
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Nothing in particular. The only requirement is that the student have sufficient knowledge of Italian to follow the lessons.
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Assessment methods and criteria
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Oral exam, Student performance
Constant attendance at lessons (maximum three absences).
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Recommended literature
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Roberto De Gaetano. Nanni Moretti. Lo smarrimento del presente. .
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