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Lecturer(s)
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Marini Alessandro, doc. Mgr. Ph.D.
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Course content
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Some possible thematic areas: 1. Ossessione and the end of fascist cinema. 2. Roberto Rossellini and Neorealism. 3. The melodrama of the fifties: Senso by Luchino Visconti. 4. 1960: L'avventura by Antonioni and Rocco e i suoi fratelli by Visconti. 5. Federico Fellini and La Dolce Vita. 6. The Italian New Wave: Bertolucci and Bellocchio. 7. The cinema of civil commitment: Olmi, Petri and Damiani. 8. Reconstructing history with cinema: Giordana's La meglio gioventu'. 9. Nanni Moretti's cinema. 10. Literature in cinema: Pirandello and the Taviani. 11. Contemporary Italian cinema: Dante, Rohwacher, Frammartino, Marcello. 12. A contemporary classic: Matteo Garrone.
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Learning activities and teaching methods
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Lecture, Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook), Projection (static, dynamic)
- Homework for Teaching
- 25 hours per semester
- Preparation for the Exam
- 50 hours per semester
- Attendace
- 25 hours per semester
- Preparation for the Course Credit
- 25 hours per semester
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Learning outcomes
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Basic knowledge of Italian cinematography. In-depth knowledge of some classics of Italian cinema.
Students will acquire basic knowledge of the history of Italian cinema. Important personalities of the Italian film that student will be able to recognize. In addiction to this, the seminar deals with concrete films, analyzed in their structural, stylistic and figurative components.
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Prerequisites
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None.
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Assessment methods and criteria
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Mark, Oral exam, Essay, Student performance, Systematic Observation of Student
Active participation in class.
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Recommended literature
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A. Costa. (1994). Saper vedere il cinema. Milano.
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D. Ciolfi, D. Sala (ed.). (2000). Ma come si legge un film?. Verona.
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F. Casetti, F. di Chio. (1994). Analisi del film. Milano.
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F. Casetti. (1994). Teorie del cinema 1945-1990. Milano.
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Fabio Rossi. (2007). Lingua italiana e cinema. Carocci.
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G. Brunetta. (2003). Breve storia del cinema italiano. Torino.
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G. P. Brunetta. (1991). Cent´anni di cinema italiano. Bari.
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Giulia Carluccio, Luca Malavasi, Federica Villa. (2022). Il cinema. percorsi storici e questioni teoriche. Ediz. illustrata. Roma.
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Christian Uva, Vito Zagarrio. (2020). Le storie del cinema Dalle origini al digitale.. Roma.
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M. Verdone. (1995). Storia del cinema italiano. Newton Compton.
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Millicent Marcus. Italian Film in the Present Tense. 2023.
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