|
Lecturer(s)
|
-
Křupková Lenka, doc. PhDr. Ph.D.
|
|
Course content
|
1. Origin and Development of Music Sociology, Methodological Problems I. - general sociology - the origin of the science, the development, thematic areas, figures - empirical and theoretical sociology - the constitution of music sociology - problem areas of music sociology - the problem of a sociological analysis of a music work 2. Origin and Development of Music Sociology, Methodological Problems II. - Max Weber. Weber's ideal types and typology in music sociology, the problem of assessment and value neutrality - other classics of music sociology (T. W. Adorno, J. H. Mueller, Alphons Silbermann, K. Blaukopf, Christian Kaden, J. Shepherd, Ch. Kaden) - sociology of tone systems - Czech music sociology 3. Social Status of the Musician - the social role and status of musicians in the history of music - specialisation and professionalisation - composers, soloists, conductors, orchestra players, music educators 4. Sociology of the History of Music. Musicians in the European Middle Ages. - troubadours in a context of transformations of Medieval society - wandering musicians 5. Sociology of the history of music. Townsfolk Music Culture and Concert Institution. - the constitution of townsfolk public - concert as a representative social form of townsfolk public 6. Sociology of the History of Music. Domestic Music Making and Music Amateurs. - the historical process of the differentiation of amateurs versus professional musicians - domestic music making as a leisure activity of townsfolk society - the organisational structure of music amateurs 7. Sociology of the History of Music. Sociology of Opera. - opera as a phenomenon in the history of society - opera service in Italian stagione, Parisian Opera and Germans court or city theatres - actors of opera service - impresarios and theatre directors, opera singers, opera audience - theatre contracts, performance rights and copyrights 8. Women in Music - gender specifics in music - women as composers in the history of music - women as interpreters in the history of music - the music salon as a parallel to a public concert of townsfolk society 9. Music Industry in Capitalist Society - the historical outline of the development of music industry - technology and music production 10. Criticism of Mass Music Culture - the Frankfurt school of social sciences - Adorno-Horkheimer - Dialectic of Enlightenment - Adorno and the fetish-character in music - Benjamin and the loss of the aura in the art work - Bourdieu and the cultural capital - a revision of critical theories in culture studies 11. Criteria of Empirical Musical-sociological Research - the qualitative and quantitative research - steps in the quantitative sociological research - a sample versus population, the selection of a sample - the techniques of data collection - the construction of a survey questionnaire for musical-sociological research 12. Sociology of the Czech Music Life - three researches of musicality by V. Karbusický and J. Kasan from 1963 to 1969 - Výzkum hudebnosti (Research of Musicality) by J. Kasan, 1990 - the research Hudební posluchači v České republice 2001 (Music Audience in the Czech Republic 2001) by M. Bek - the interpretation of found data of musical-sociological researches
|
|
Learning activities and teaching methods
|
Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming)
- Attendace
- 9 hours per semester
- Semestral Work
- 25 hours per semester
- Homework for Teaching
- 41 hours per semester
- Preparation for the Exam
- 25 hours per semester
|
|
Learning outcomes
|
The course focuses on terminology, theoretical concepts, techniques and methods of music sociological research. Attention will be also paid to interpretation of seminal texts and practical training.
Acquire knowledge: The student knows basic concepts of music sociology, its key texts and principles of musical-sociological empirical research. Acquired skills: The student: - is able to create a survey questionnaire for a musical-sociological research; - is capable of the practical application of techniques of the musical sociological research. Acquired qualifications: Knowledge of social structures of music life and its actors, or, the functioning of music institutions in different phases of the history of music, leads the student to a better understanding of the developmental process of music. A completion of the course significantly widens student's competences for next professional involvement in an organisation and management of music life.
|
|
Prerequisites
|
unspecified
|
|
Assessment methods and criteria
|
Written exam, Student performance
|
|
Recommended literature
|
-
HUDEBNÍ SOCIOLOGIE, In: Hudební věda I-III, Praha 1988.
-
Adorno, Theodor, W. (2009). Schéma masové kultury. Praha.
-
Adorno, Theodor, W. O fetišovém charakteru v hudbě a regresi slyšení, in: Divadlo 1964, č. 1-2..
-
Bek, Mikuláš. Konzervatoř Evropy? K sociologii české hudebnosti. Praha 2003..
-
Bek, Mikuláš:. Vybrané kapitoly hudební sociologie. Olomouc 1993.
-
BLAUKOPF, KURT:. Musik im Wandel der Gesellschaft, Darmstadt 1996.
-
De la Motte-Haber-Neuhoff, Hans, red. (2007). Musiksoziologie. Laber.
-
DISMAN, Miroslav. Jak se vyrábí sociologická znalost. Praha 1998..
-
Gülke, Peter . (1975). Mönche, Bürger, Minnesinger. Leipzig.
-
Heister, H. W. Das Konzert. eorie einer Kulturform. Wilhelmshaven 1982..
-
Kaden, Christian. (1993). Des Lebens wilder Kreis. Musik im Zivilisationsprozeß. Kassel.
-
Kaden, Christian. (1997). heslo ?Musiksoziologie?, MGG (2. vydání, Sachteil sv. 6, s. 1618-1670). Kassel.
-
Karbusický, Vladimír - Kasan, Jaroslav: Karbusický, Vladimír. Výzkum současné hudebnosti. Díl 1. Výzkum z roku 1962. Díl 2. Výzkum z roku 1965/66. Praha 1969..
-
Karbusický, Vladimír. Teoretické předpoklady empiricko-sociologického výzkumu hudby. In: Hudební věda, 1965, č. 3..
-
Kolektiv autorů. Hudba v českých dějinách. Praha 1988..
-
Weber, Max. "Objektivita" sociálněvědního a sociálněpolitického poznání. In: Weber, M., Metodologie, sociologie a politika. Praha 1998..
-
Weber, Max. Smysl "hodnotové neutrality" v sociologických a ekonomických vědách. In: Weber, M., Metodologie, sociologie a politika. Praha 1998, s. 64-108..
-
Wicke, Peter. Hudební průmysl. Historicko-systematický nástin..
-
Wicke, Peter. Populární hudby jako průmyslový produkt..
|