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Lecturer(s)
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Kopecký Jiří, doc. PhDr. Ph.D.
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Laslavíková Jana, Mgr. Ph.D.
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Course content
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unspecified
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training)
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Learning outcomes
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The aim of the course is to introduce students to how society comes to terms with its past through music and theatre at local, national and global levels, how collective memory is constructed, and how identities, practices and norms are constructed through the production of knowledge. Against the backdrop of interdisciplinary foundational research from the long 19th century, students will be able to reflect together on how cultural history shapes and transforms today's global challenges such as migration, discrimination, and social polarization. By creating databases, students will learn new digital skills.
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Prerequisites
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unspecified
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Assessment methods and criteria
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Written exam
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Recommended literature
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Aleš Březina and Ivana Rentsch (eds.). Bedřich Smetana and European Opera. Königshausen & Neumann, 2024, dostupné online na https://verlag.koenigshausen-neumann.de/oaopen/92243.
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Berenika Szymanski-Düll, Lisa Skwirblies (eds.). European Theatre Migrants in the Age of Empire. Personal Experiences, Transnational Trajectories, and Socio-Political Impacts. Palgrave, Macmillan, 2025, dostupné online na https://link.springer.com/book/10.1007/978-3-031-69836-1.
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Edited by Peter Marx. (2022). A cultural History of Theatre in the Age of Empire (1800-1920). Vol. 5.. New York, Bloomsbury Publishing.
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Christopher B. Balme. The theatrical public sphere. Cambridge University Press, 2014.
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