| Course title | Crisis Event Representation Tools III |
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| Course code | KMS/DENR3 |
| Organizational form of instruction | Seminary |
| Level of course | Master |
| Year of study | 2 |
| Semester | Winter |
| Number of ECTS credits | 4 |
| Language of instruction | Czech |
| Status of course | Compulsory-optional |
| Form of instruction | Face-to-face |
| Work placements | This is not an internship |
| Recommended optional programme components | None |
| Lecturer(s) |
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| Course content |
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The course introduces students to the possibility of photography and the ethics of processing image material accompanying crisis situations. The course will deal with the analysis of the content and form of photographs, the possible production and post-production distortion of reality and the ethical framework of this issue. Students acquire the skill to decode the used symbols of the current visual culture. Content: 1. Basics of photography, a look at history 2. Use of photography in crisis and breakthrough situations 3. Basic possibilities of techniques during photography 4. Basic post-production options 5. Analysis - portraying characters in a crisis situation 6. Analysis - speed in reportage photography 7. Analysis - post-production editing - options 8. Assignment of the final seminar paper - discussion 9. Presentation of ZSP concepts 10. Presentation of ZSP concepts 11. Presentation of the seminar work 12. Presentation of seminar work - discussion
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| Learning activities and teaching methods |
| unspecified |
| Learning outcomes |
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The student will become familiar with the basic formal and content values of photography. The student will learn the basics of the art of distinguishing post-production editing and what technical possibilities these edits have. The student will practice ethical evaluation and the possibilities of publishing an image in a crisis situation.
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| Prerequisites |
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unspecified
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| Assessment methods and criteria |
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unspecified
Seminar paper, study of compulsory literature, which will be specified by the teacher. BARAN, Alexander a BARAN, Ludvík. Obraz jako dialog s časem. Praha: Národní informační a poradenské středisko pro kulturu, 2007. ISBN 978-80-7068-205-0. BARAN, Ludvík. Fotografie jako dokument a tvorba. Praha: Ústř. kult. dům železničářů, 1990. ISBN 80-85106-07-8. GREGOROVÁ, Anna. Fotografická tvorba. Martin: Osveta, 1977. KOLÁŘ, Viktor. Seminář o fotografickém dokumentu. Praha: Akademie múzických umění, 2000. ISBN 80-85883-53-8. SONTAG, Susan. O fotografii. Praha: Paseka, 2002. ISBN 80-7185-471-9. ŠMOK, Jan. Jak se dívat na fotografii. Liberec: Kulturní správa SKNV, 1969. ŠMOK, Jan. Skladba fotografického obrazu. Praha: Státní pedagogické nakladatelství, 1986. TAUSK, Petr a kol. Praktická fotografie. Praha: Nakladatelství technické literatury, 1972. SIOSTRZONEK, Jiří, ed. Fotografie a sociologie. Opava: Slezská univerzita v Opavě, Filozoficko-přírodovědecká fakulta, 2011. ISBN 978-80-7248-656-4. FLUSSER, Vilém. Za filosofii fotografie. Praha: Hynek, 1994. ISBN 80-85906-04-X. MCNALLY, Joe. Fotografie - rozhodující momenty: rady, doporučení, příběhy a inspirace od jednoho z předních světových fotografů. Brno: Zoner Press, 2008. ISBN 978-80-7413-005-2. |
| Recommended literature |
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| Study plans that include the course |
| Faculty | Study plan (Version) | Category of Branch/Specialization | Recommended semester |
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