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Lecturer(s)
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Černík Jan, Mgr. Ph.D.
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Ptáček Luboš, doc. Mgr. Ph.D.
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Hain Milan, Mgr. Ph.D.
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Course content
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Cognitive sciences and their impact on film theory The theory of fictional worlds and its impact on film theory Phenomenology and its impact on current film theory Postmodern philosophy and its impact on current film theory Narratology and its impact on current film theory Feminism and its impact on current film theory Psychoanalysis and its impact on current film theory
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training)
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Learning outcomes
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Alternating lecture cycles present specific contemporary theories with emphasis on applying these theories in specific film genres and areas.
Students will be able to orientate in current film theory. Active use of approaches of individual tendencies in film analysis and interpretation of films.
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Prerequisites
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There are no prerequsitions. Recommended lecture KDU/ZTF.
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Assessment methods and criteria
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Oral exam, Written exam
Knowledge of basic terminology and active using of the terms in analysis and interpretation.
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Recommended literature
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Bordwell, David - Carroll, Noel. (1996). Post-theory. Reconstructing Film Studies.
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Casetti,Francesco. (2008). Filmové teorie 1945 ?1990. Praha.
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Deleuze,Gilles. (2006). Film II. Praha.
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Deleuze,Gilles. (2000). Film I. Praha.
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Grodal, Torben. (1997). Moving Pictures. A New Theory of Film Genres, Feeling, and Cognition. Oxford.
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Nicholls, Bill . (1985). Movies and Methods, Vol. II..
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Nicholls, Bill . (1976). Movies and Methods, Vol. I..
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Sobchack, Vivien . (1992). The Address of Eye. A Phenomenology of Film Experience.
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