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Lecture, Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook), Projection (static, dynamic)
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ALLEN, Robert C. (1992). Chanels of Discourse Reassembled. London.
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Bordwell, D. (1997). On the history of film style. Cambridge, Mass: Harvard University Press.
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BUTLER, Jeremy. (2006). Television: Critical Methods and Applications. Mahweh.
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Cook, D. A. (1996). A history of narrative film. New York: W.W. Norton.
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Cook, D. A. (2002). Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979. New York, N.Y: Charles Scribner's sons.
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Cooke, M., & Petrů, D. (2011). Dějiny filmové hudby. Praha: Casablanca.
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CORNER, John. (1999). Critical Ideas in Television Studies. Oxford and New York.
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CORNER, John. (1995). Television Form and Public Address. New York: Neal Schuman Publishers.
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CREEBER, Glen. (2005). The Televison Genre Book. London.
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ELSAESSER, Thomas, HORWATH, Alexander, KING, Noel. (2004). The Last Great American Picture Show. New Hollywood Cinema in the 1970s. Amsterdam.
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ELSAESSER, Thomas. (2000). Weimar Cinema and After. London.
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FISKE, John. (1987). Television Culture. London and New York.
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Gomery, Douglas - Allen, Richard. (1985). Film History. Theory and Practice. New York.
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KORDA, Jakub. (2013). Úvod do studia televize 2. Olomouc: Univerzita Palackého.
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Rosenstone, R. A. (2006). History on film, film on history. Harlow: Pearson Longman.
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Thompson, K., Bordwell, D., & Bendová, H. (2011). Dějiny filmu: přehled světové kinematografie. V Praze: Akademie múzických umění.
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