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Lecture, Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook), Projection (static, dynamic)
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Mark, Oral exam, Written exam, Analysis of linguistic, Analysis of Creative works (Music, Pictorial,Literary), Dialog
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IndieWire.
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RadioTimes.
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The Euro TV Place.
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The Guardian.
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Tumblr.
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TV by the Numbers.
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Variety.
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YouTube.
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ALLEN, Robert C. (1992). Chanels of Discourse Reassembled. London.
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Bennett, Tara. (2014). Showrunners: The art of running a TV show. London.
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BERGER, Asa A. (1992). Popular Culture Genres. Newbury Park.
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Bryant, A., Mawer, Ch. (2016). The TV Brand Builders. How to win audiences and influence viewers. London.
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BUTLER, Jeremy. (2006). Television: Critical Methods and Applications. Mahweh.
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CORNER, John. (1999). Critical Ideas in Television Studies. Oxford and New York.
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FISKE, John. (1987). Television Culture. London and New York.
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JENKINS, H. Textual Poachers: Television Fans & Participatory Culture. Studies in culture and communication. New York:Routlege, 1992. 343 s. ISBN 0-415-90571-0..
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MANOVICH, Lev. (2001). The language of new media. Cambridge, Mass.
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Marinescu, V., Branea, S., Mitu, B. (eds.). (2014). Contemporary television series. Narrative Structures and Audience Perception. Newcastle upon Tyne.
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Mittel. (2015). Complex TV: The Poetics of Contemporary Television Storytelling. New York, London.
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Mittel, J., Thompson, E. (eds.). (2013). How to Watch Television. New York, Londýn.
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NEWCOMB, Horace . Television: The Critical View.
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