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Lecturer(s)
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Hudac Nicholas David, Mgr. Ph.D.
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Černík Jan, Mgr. Ph.D.
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Course content
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Seminar is focused on the knowledge of the newest theoretical movements, which represent anti-essentialist point of view in post-ear context (New Formalism, ideological critique in film theory, theory of film genre, theoretical starting points of new film history). Seminar of film theory E is focused on the ideological critique in French film theory from the 60s to 70s years of the 20th century. The topic of seminar is work with the concrete texts, which present the concrete methodical conceptions to ideological analysis of film text or the texts generally explain their ideological potential. Concrete texts for analyzing: Mladý Lincoln Johna Forda- Redakce Cahiers du Cinéma. Iluminace 2001, č. 1. Roland Barthes Siegried Kracauer, Od Caligariho k Hitlerovi. Praha 1958. Thomas Elsaesser, Filmová historie a vizuální rozkoš: výmarský film. Iluminace 1996, č. 2. Thomas Elsaesser, Metropolis. Praha 2007 Marc Ferro, Studium stalinské ideologie prostřednictvím filmu- Čapajev. Iluminace 1990, č.1. Recommended literature for Seminar of film theory E: Casseti, Francesco: Theories of Cinema, 1945-1990, Austin: University of Texas Press. Metz, Christian.: The Imaginary Signifier: Psychoanalysis and the Cinema. Gerald Mast, Leo Braudy (eds.), Film Theory and Criticism. New York 1992. Rosen, Philip (ed.): Narrative, Apparatus, Ideology. Columbia University Press 1986-Allen, R. (1999). "Psychoanalytic Film Theory." A Companion to Film Theory. Miller, T. and R. Stam (eds.). Oxford, Blackwell: 123-45. Bordwell, D. and N. Carroll (1996). "Introduction." Post-Theory: Reconstructing Film Studies.
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Learning activities and teaching methods
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Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook)
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Learning outcomes
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The aim of the subject is a deeper introduction to more recent streams in the film theory.
Enlarging knowledge of the history of the film theories, gaining skills with work with a scientific text.
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Prerequisites
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No prerequisites. A more detailed orientation in the history of the film theory.
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Assessment methods and criteria
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Student performance, Seminar Work
Active work in seminars, tolerated absence, doing and presenting the seminary work in the extent.of 5 normopages.
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Recommended literature
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Braudy, L., & Cohen, M. M. (2009). Film theory and criticism: introductory readings. New York, N.Y: Oxford University Press.
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Casetti, F., & Giordanová, H. (2008). Filmové teorie 1945-1990. V Praze: Akademie múzických umění.
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Jameson, F. (1994). The political unconscious: narrative as a socially symbolic act. Ithaca: Cornell University Press.
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Jameson, Fredric. Postmodernism, or, the Cultural Logic of Late Capitalism, Duke University Press, Durham 2005.
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KRACAUER, Siegfried. (1958). Dějiny německého filmu od Caligariho k Hitlerovi. Praha : SPN.
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Metz, C., & Pechar, J. (1991). Imaginární signifikant: psychoanalýza a film. Praha: Český filmový ústav.
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