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Lecturer(s)
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Zemanová Zuzana, PhDr. Ph.D.
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Course content
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1) Introduction 2) The roots of the small forms in the beginning of the 20th century and after the World War II. Červená sedma, Osvobozené divadlo, D 34, Divadlo satiry. 3) Reduta and the beginnigs of the Divadlo Na zábradlí. Faust, Markéta, služka a já; Autostop 4)Semafor, Jiří Suchý and Jiří Šlitr 5) The beginnigs of the Czech musical comedy. Jiří Suchý-Ivan Vyskočil: Kdyby tisíc klarinetů. Jan Schneider: Gentlemani 6) The absurd drama and poetics of nonsens, Ivan Vyskočil´s Nedivadlo and Činoherní klub. Ivan Vyskočil: Cesta do Úbic; Ladislav Smoček: Podivné odpoledne dr. Zvonka Burkeho and other plays 7) The satirical and parodical movements in Jiří Robert Pick´s theatre Paravan and in Večerní Brno. Miroslav Skála: Drak je drak aneb Kterak Žužličtí k rozumu přišli. Milan Uhde: Král-Vávra. 8) The mystification by Divadlo Járy Cimrmana. Ladislav Smoljak, Zdeněk Svěrák a Divadlo Járy Cimrmana. Akt, České nebe and other plays. 9) Plays and scripts by Vratislav Blažek. Třetí přání. Dáma na kolejích 10) The popular author pairs in the late 1960´s. Jiří Grossman and Miloslav Šimek, Jan Vodňanský and Petr Skoumal. Comparation with the poetics of early Semafor. 11) Small theatres in 1970s. Adaptations of classical literary works. Jiří Suchý: Kytice; Milan Uhde: Balada pro banditu. 12) Presentation of student´s work, listening to the records and analyse of selected lyrics. 13) Evaluation of the seminar
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook)
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Learning outcomes
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The aim of the subject is to make the students acquainted with the topic of the theatres of small forms, especially in the 1960´s, when these scenes became a cultural and social phenomenon. The lyrics will be analysed according to the context of that time, but also with connection to the actual reception.
Knowledge of the authors and their works connected to the area of the theatres of small forms.
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Prerequisites
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Basic orientation in the literary and cultural context of the 1960s.
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Assessment methods and criteria
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Student performance, Analysis of linguistic
-active participation on the lesson -regular attendance -making a paper on a chosen topic -making an analyse of one lyric from the repertoir of small theatres
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Recommended literature
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Denemarková, R. (ed.). (2000). Zlatá šedesátá. Praha.
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Hercíková, Iva. (1964). Začalo to Redutou. Praha.
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Holzknecht, V. Osvobozené divadlo. (1957). Jaroslav Ježek a Osvobozené divadlo. Praha.
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Janoušek, P. a kol. (2007). Dějiny české literatury 1945 - 1989, I. 1945 - 1948. Praha.
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Janoušek, Pavel. (2009). Ivan Vyskočil a jeho neliteratura. Brno.
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Just, Vladimír. (1990). Divadlo plné paradoxů. (Příběh Divadla satiry 1944-1949 a nejen jeho.). Praha.
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Just, Vladimír. (1984). Proměny malých scén. Praha.
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Kazda, J. ? Kotek, J. (1981). Smích Červené sedmy. Praha.
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Lazorčáková, T. (1996). Čas malých divadel. Olomouc.
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Rut, P.(ed.). (1996). Nedivadlo Ivana Vyskočila. Praha.
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Schonberg, M. (1992). Osvobozené. Praha.
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Smejkal, Z. (ed.). (1999). Bylo nebylo satirické divadlo Večerní Brno. Brno.
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Smoljak, L. ?Svěrák, Z. (1987). Divadlo Járy Cimrmana. Praha.
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Srba, B. (1971). Poetické divadlo E. F. Buriana. Praha.
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Suchý, J. (1986). Knížka aneb Co mne jen tak napadlo. Praha.
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