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Lecturer(s)
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Daniel Ladislav, prof. PhDr. Ph.D.
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Zapletalová Jana, doc. PhDr. Ph.D.
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Course content
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Artists on the Venice Biennial 2003, 2005, 2007, 2009,2011, 2013. Jannis Kounellis, Georg Baselitz, Magdalena Abakanowicz, Per Kirkeby, Anselm Kiefer, Gerhard Richter, Cy Twombly, Anish Kapoor.
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Learning activities and teaching methods
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Lecture, Dialogic Lecture (Discussion, Dialog, Brainstorming)
- Homework for Teaching
- 13 hours per semester
- Attendace
- 26 hours per semester
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Learning outcomes
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The theme reflects chosen artists' personalities of the 20th and 21st centuries with an accent to contemporary art and opens lively discussion on works of modern and contemporary art in the Czech Republic and in the world.
The survey of chosen artists' personalities of the 20th and 21st centuries and the efficiency to discuss works of modern and contemporary art in the Czech Republic and in the world.
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Prerequisites
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Interest in the issue of art in the 20th and 21st centuries.
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Assessment methods and criteria
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Dialog
Presentation of the broader content of the important interpretive paper from the international art history magazine, devoted to one painting or to the cycle of pantings. The presence at seminars. The knowledge of presented and studied problematics including broader contents presented by students.
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Recommended literature
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Katalogy Benátského bienále 2003, 2005, 2007, 2009, 2011, 2013.
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Baxandall, M. (1985). Patterns of Intention. On the Historical Exploration of Pictures.. New Haven - London.
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Ernst Hans Gombrich. (1985). Umění a iluze: Studie o psychologii obrazového znázorňování.. Praha.
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Erwin Panofsky. (1981). Význam ve výtvarném umění.. Praha.
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Hans Belting. (2000). Konec dějin umění. Praha.
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Itten, J. (2003). Kunst der Farbe. Subjektives Erleben und objektives Erkennen als Wege zur Kunst. Studienausgabe. Ravensburg.
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Ladislav Daniel. (2008). Umění vidět umění. Úvod do interpretace obrazu. Olomouc.
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Ladislav Kesner (ed.). (1997). Vizuální teorie: současné anglo ? americké myšlení o výtvarných dílech. Jihočany.
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T. Blondal, A. H. Larsen (edd.). (1994). Per Kirkeby. Obrazy a sochy. Praha.
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Worringer, W. (2001). Abstrakce a vcítění. Příspěvek k psychologii styl. Praha.
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Zvěřina, J. (1971). Výtvarné dílo jako znak. Praha.
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