| Course title | Art as a Tool of Representation and Propaganda |
|---|---|
| Course code | DVU/MURP |
| Organizational form of instruction | Lecture + Seminar |
| Level of course | Master |
| Year of study | 1 |
| Semester | Winter and summer |
| Number of ECTS credits | 5 |
| Language of instruction | Czech |
| Status of course | Compulsory-optional |
| Form of instruction | Face-to-face |
| Work placements | This is not an internship |
| Recommended optional programme components | None |
| Lecturer(s) |
|---|
|
| Course content |
|
unspecified
|
| Learning activities and teaching methods |
| unspecified |
| Learning outcomes |
|
The cycle illustrates broader aspects of artistic commissions in the early modern period using the example of a selected artist (architect, sculptor, stuccoer) or client. The historical, political, social, and client context is analyzed. Emphasis is placed on the nature, scope, and execution of the commissioned work, its social and representative functions, as well as the significance of the building in question within the client's residential network or property structure, its typology, and any specific features. The selected artist or client varies. The course may include one-day visits to selected buildings.
|
| Prerequisites |
|
unspecified
|
| Assessment methods and criteria |
|
unspecified
|
| Recommended literature |
|
|
| Study plans that include the course |
| Faculty | Study plan (Version) | Category of Branch/Specialization | Recommended semester | |
|---|---|---|---|---|
| Faculty: Faculty of Arts | Study plan (Version): Theory and History of Art with the Specialization on Heritage Conservation (2026) | Category: Theory and history of arts | 1 | Recommended year of study:1, Recommended semester: Winter |
| Faculty: Faculty of Arts | Study plan (Version): Theory and History of Art (2026) | Category: Theory and history of arts | 1 | Recommended year of study:1, Recommended semester: Winter |