|
Lecturer(s)
|
-
Daniel Ladislav, prof. PhDr. Ph.D.
|
|
Course content
|
The turn 16th to 17th century in Venice: followers of Jacopo Tintoretto and Jacopo Bassano. 2. Turn 16th-17th century in Venice: followers of Titian and Paolo Veronese. Padovanino and his school. 3. Neo-Venetians: Domenico Fetti in Rome and Mantua. 4. Neo-Venetians: Domenico Fetti in Venice. 5. Neo-Venetians: Johann Liss in the Netherlands and Rome. 6. Neo-Venetians: Johann Liss in Venice. 7. Neo-Venetians: Carlo Saraceni in Rome and Venice. 8. Neo-Venetians: Bernardo Strozzi in Genoa and Venice. 9. Neo-Venetians: Pietro Della Vecchia, Mazzoni, Maffeis, Carpioni. 10. Tenebristé. Langetti, Carlotto, Zanchi, Abbiati, 11. Chiarists: Liberi, Celesti, Bambini, Lazzarini, Balestra, Pagani, Carneo. 12. The Way to Luminism: Sebastiano Ricci, Giovanni Antonio Pellegrini.
|
|
Learning activities and teaching methods
|
Lecture, Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook)
- Semestral Work
- 8 hours per semester
- Attendace
- 26 hours per semester
- Homework for Teaching
- 10 hours per semester
|
|
Learning outcomes
|
The aim of the course for graduate students is to characterize as precisely as possible the form of Baroque painting in Venice from the initial delay of the Baroque approach of painting to Venice, caused by the blockade of Venice by Pope Paul V. Borghese, through the interventions of non-Venetian painters coming to Venice during the first half of the century, to the development of tenebrism, chiarism and through the luminist preparation before the onset of the 18th century.
Acquired ability to understand the detailed knowledge of Baroque painting in Europe.
|
|
Prerequisites
|
Expert interest in detailed knowledge of Baroque painting on the Apennine Peninsula.
|
|
Assessment methods and criteria
|
Student performance
Attendance at seminars and lectures, participation in class discussions, translations of specialized literature from English.
|
|
Recommended literature
|
-
Eliška Fučíková (ed.) - Sergio Marinelli - Paola Marini. (1994). Capolavori della pitttura veneta dal Castello di Praga. Milano.
-
Ladislav Daniel (ed.). (1996). Benátčané. Malířství 17. a 18. století z českých a moravských sbírek. Milano.
-
Lubomír Slavíček (ed.) et al. (1993). Artis pictoriae amatores. Evropa v zrcadle pražského barokního sběratelství. Praha.
|