Lecturer(s)
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Jedlička David, Mgr. Ph.D.
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Adámková Turzová Magdalena, Mgr. Ph.D.
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Boček Ronovská Anna, Mgr. et Mgr. Ph.D.
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Course content
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Painting overlaps with the possibility of continuing the seminars of spatial and intermedial art production. Development of creative mind and search for own means of expression. Individual project. Solution of time-consuming individual projects.
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Learning activities and teaching methods
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Grafic and Art Activities
- Attendace
- 90 hours per semester
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Learning outcomes
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Studio work focuses on the individual works of students based on a written concept. The seminar aims at a comprehensive art project from the preparatory stage, selection of materials and technique up to the final realization.Encaustic technique.
The ability to discuss on the certain topic, development of creative thinking, progress and mastering advanced art techniques.
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Prerequisites
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Capability of an independent creative work, participation on lessons.
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Assessment methods and criteria
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Analysis of Creative works (Music, Pictorial,Literary)
Conceptual idea made in writing, recommended literature reading, discussions, final art project.
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Recommended literature
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Kandinsky, W. Bod, linie, plocha. Praha, 2000..
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Kandinsky, W. (1998). O duchovnosti v umění.. Praha.
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Kesner, L. (ed.). (1997). Vizuální teorie. Současné anglo-americké myšlení o výtvarných dílech. Jinočany 1997.. H & H, Jinočany .
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Klee, P. (1999). Pedagogický náčrtník. Triáda .
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Kupka, F. (1999). Tvoření v umění výtvarném. Praha.
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Martin, A. (2000). Nezkalená mysl. Praha: Arbor vitae.
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Palas Riedel I. (2002). Obrazy v terapii umění a náboženství. Portál .
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Petr, F. (1929). Olejomalba a enkaustika. Praha: Peometheus.
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Schätz, M. (1982). Moderní materiály ve výtvarné praxi S0000102693.
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Slánský, B. (1976). Technika v malířské tvorbě: (malířský a restaurátorský materiál). Praha: SNTL - Nakladatelství technické literatury.
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Thomasová, K. (1994). Dejiny výtvarných štýlov 20. Storočia.
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