Lecturer(s)
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Boček Ronovská Anna, Mgr. et Mgr. Ph.D.
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Jedlička David, Mgr. Ph.D.
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Adámková Turzová Magdalena, Mgr. Ph.D.
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Course content
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The seminar focuses on utilizing the paintwork as creative medium in its particularity with regards to other artistic disciplines. Based on selected thematic circles, the students are led to interpretation of their own creative projects. Theoretical part of the seminar surveys the painting development from the Art Brut up to now.
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Learning activities and teaching methods
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Grafic and Art Activities
- Attendace
- 60 hours per semester
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Learning outcomes
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Individual project focusing on a comprehensive work cycle. Glass painting, egg tempera, folk paintings on glass.
The ability to discuss on the certain topic.Development of creative thinking. Creative responses to Art Brut.
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Prerequisites
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Capability of an independent creative work.
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Assessment methods and criteria
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Student performance, Analysis of Creative works (Music, Pictorial,Literary)
Written conception, sketches, design of composition, discussion, active participation in seminars, finished creative project.
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Recommended literature
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Arendtová, H. (1994). Krize kultury.. Praha: Mladá fronta.
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Foucault, M. (1995). Sen a obraznost. Dauphin, Liberec .
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Gabliková S. (1995). Selhala moderna?. Votobia, Olomouc.
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Hasalová, V., Ludvíková, M., Guillevic, J. C., Kunc, L., & Ludvíková, M. (1970). Lidová malba na skle XVI.-XIX. století. V Brně: V Etnografickém ústavu Moravského muzea.
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Pospiszyl, T. (1998). Před obrazem. Praha .
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Slánský, B. (1976). Technika v malířské tvorbě: (malířský a restaurátorský materiál). Praha: SNTL - Nakladatelství technické literatury.
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Staňková, J. (1967). Lidové výtvarné umění. Praha: Státní pedagogické nakladatelství.
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Šimková, A., & Galgonek, V. (2001). Umělci čistého srdce: naivní a lidové umění, art brut : sbírka Pavla Konečného. Velehrad: Ottobre 12.
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