1. Theory, communication and linguistics in relation to the literature (ground model description) vs. analysis. interpretation 2. The subjects of literary communication: productor (author): psychophysical entity, objective and subjective author, authorial agency, implicit/implied author, the image of the author, personality, and author of the discourse, deliberateness and (un)deliberateness, authenticity 3. Text - Structure (textuality, literary work - text), style, denotation and connotation, the issue of reference in the text, fictionality, context; 4. Transtextuality and their types; 5. Content, meaning and sense of text, the issue of reference in the literature (models of its description); 6. Subjects of literary communication II: The recipient (reader): real, ideal, informed, empirical, model, implied / implicit and the question of reading competence, interpretive community 7. Literature and storytelling: models of description, theme and topic, the narrator, events and characters, a typology of modes of narration; 8. Theory and methodology of interpretation: the concretization, reception, perception, description, analysis, interpretation, understanding (comprehension); 9. Historical excursion I: structuralist-oriented models describing process literary production 10. Historical excursion II: critique of structuralist literary oriented models focused on literary process (hermeneutics as "different" interpretation of de Saussure, deconstruction) 11. Literature and Culture, Ideology and ethnology (especially Marxism and feminism) 12. Analysis and interpretation of particular texts through the lens of communication strategies (eg. hiding deliberateness, revelation, concealment, artifice of the narrator)
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