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Lecturer(s)
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Course content
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1. Synthetic Disciplines of Musicology 1. Music theory. The subject, aims and methods of the discipline. The history of Czech and European music theory. An overview of the main figures and of their essential works. 2. Synthetic Disciplines of Musicology 2. Music historiography. The subject, aims and methods of the discipline. The history of Czech and European music historiography. An overview of the main figures and of their essential works. 3. Synthetic Disciplines of Musicology 3. Ethnomusicology. The subject, aims and method of the discipline. The history of Czech and European ethnomusicology. An overview of the main figures and of their essential works. 4. Fractional Aspect Disciplines of Musicology 1. Music acoustics, organology, theory and history of notation. The subject, aims, and methods of the disciplines. The history of Czech and European music acoustics, organology, and theory and history of notation. An overview of the main figures and of their essential works. 5. Fractional Aspect Disciplines of Musicology 2. Music aesthetics. The subject, aims, and methods of the discipline. The history of Czech and European music aesthetics. An overview of the main figures and of their essential works. 6. Fractional Aspect Disciplines of Musicology 3. Music sociology. The subject, aims, and methods of the discipline. The history of Czech and European music sociology. An overview of the main figures and of their essential works. 7. Fractional Aspect Disciplines of Musicology 4. Music psychology and music pedagogy. The subject, aims, and methods of the disciplines. The history of Czech and European music psychology and music pedagogy. An overview of the main figures and of their essential works. 8. Newly Crystallising Disciplines 1. Theory and history of non-artificial music. The subject, aims, and methods of the discipline. The history of Czech and European theory of non-artificial music. An overview of the main figures and of their essential works. 9. Newly Crystallising Disciplines 2. Theory and history of music interpretation and music semiotics. The subject, aims, and methods of the discipline. The history of Czech and European music interpretation and music semiotics. An overview of the main figures and of their essential works. 10. Practical-application outcome of the field. Music criticism, music popularisation, music praxeology, music therapy. The subject, aims, and methods of the disciplines. The history of Czech and European music criticism, music popularisation, music praxeology, and music therapy. An overview of the main figures and of their essential works. 11. Basic Aesthetic Categories 1. An aesthetic function, art, art work. 12. Basic Aesthetic Categories 2. Culture, music culture; folk, mass, and popular music culture.
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training)
- Attendace
- 6 hours per semester
- Semestral Work
- 54 hours per semester
- Preparation for the Course Credit
- 40 hours per semester
- Homework for Teaching
- 25 hours per semester
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Learning outcomes
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The course focuses on musicology, its system, disciplines (history, trends, figures, and important texts) and aesthetical categories.
Acquired knowledge: After the completion of the course, the student: - understands the extent of the subject of the discipline of musicology - knows the system of the discipline, the subject and methods of individual disciplines of music science - has an overview of essential literature about the individual areas of music science Acquired skills: The student is able to find a reliable source of information for the problems of fractional disciplines of music science. Acquired qualifications: The student: - orientates themselves in the individual areas of music science, and in its development as well as modern trends, - is able to use their knowledge in other musical-theoretical, historical as well as systematic courses of the study plan of the Department of Musicology.
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Prerequisites
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Introduction to Musicology 1
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Assessment methods and criteria
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Didactic Test
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Recommended literature
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Kol. autorů:. Hudební věda I-III. Praha 1988.
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Poledňák, I - Fukač, J.:. Úvod do studia hudební vědy. Olomouc 1995.
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Příslušná hesla v muzikologických encyklopediích..
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Dahlhaus, Carl (ed.). Einführung in die systematische Musikwissenschaft. Köln 1971, 1988..
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Elschek, Oskár. Hudobná vedy súčasnosti. Systematika, teória, vývin. Bratislava 1984.
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Fukač, J. (1964). O studiu hudební vědy. Praha.
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Kresánek, Jozef. Úvod do systematiky hudobnej vedy. Bratislava 1980..
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Nicole Schwindt-Gross. Musikwissenschaftliches Arbeiten. Hilfsmittel-Techniken-Aufgaben. Kassel 1992..
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Racek, Jan. Úvod do studia hudební vědy. Praha 1949..
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