|
Lecturer(s)
|
-
Keprt Marek, doc. MgA. Ph.D.
|
|
Course content
|
Post scriabin style and the music of the so called russian avant guarde (N. Obuchov. N. Roslavets, A. Lourie) Futurism. Analysis: E. Varese: Hyperprism O. Messiaen. Analysis: O. Messiaen: Qurtet on the end of time, Serialism Microtonality: I. Wyschnegradski Stochastic music: I. Xenakis, Analysis: G. Crumb: Macrocosmos 3 Ligeti. Analysis: Ligeti: Musica ricercata G. Scelsi. Analysis: Scelsi: Manto 1-3, String quartet no. 5 H. Lachenmann: Toccatina Morton Feldman Spectral music: Murail, Grisey, Haas Salvatore Sciarrino Tendencies in contemporary music of the 21 century
|
|
Learning activities and teaching methods
|
Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming)
- Attendace
- 18 hours per semester
- Semestral Work
- 30 hours per semester
- Homework for Teaching
- 35 hours per semester
- Preparation for the Exam
- 17 hours per semester
|
|
Learning outcomes
|
Theory of melody, harmony, time and architectonics in European music, especially in 20th century music. Musical styles and genres from the point of view a composer. Technology of contemporary music including computer music.
Orientation in the structure of 20 and 21th century music compositions and ability to put them in estetical, stylistical and historical context.
|
|
Prerequisites
|
Very good orientation in the field of music thery and music history
|
|
Assessment methods and criteria
|
Student performance, Analysis of Creative works (Music, Pictorial,Literary), Written exam
70 percent presence in classes. Activity in class. Analysis of 2 compositions. Succesfully passing the final test.
|
|
Recommended literature
|
-
Barthelems, Barbara. Raum und Klang. Das musikalische und theoretische Schaffen Ivan Wyschnegradskys. 1995.
-
Claren, Sebastian. Neither. Die Musik Morton Feldmans. 2000.
-
Flašar, Martin. Poeme electronique 1958, Le Corbusier E. Varese I. Xenakis. Brno. 2012.
-
Kohoutek, Ctirad. Hudební kompozice. Praha. 1989.
-
Kohoutek, Ctirad. Hudební styly z hlediska skladatele. Praha. 1976.
-
Lobanova, Marina. Nikolaj Andrejewitsch Roslawez und seine Zeit. 2021.
-
N. Hrčková. Hudba XX století 1-2. Banská Bystrica. 2006.
-
Nonken, Marilin. The spectral piano The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age. 2014.
-
Nyman, Michael. Experimentálna hudba: Cage a iní. Bratislava. 2007.
-
ROss, Alex. Zbývá jen hluk. Naslouchání dvacátému století. 2011.
-
Sitsky, Larry. Music of the Repressed Russian Avant-Garde. 1994.
-
Zvěřina, Petr. Hudba prorůstající časem: Pozdní skladby Mortona Feldmana. Praha. 2018.
|