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Lecturer(s)
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Šidlo Friedl Marian, PhDr.
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Course content
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Students will acquire the knowledge of musical forms of European music and methods of formal analysis. Tectonic issues of musical composition are also discussed. Themes covered: 1.Content and methods of Musical Forms 2.Music and its formal elements 3.Composition and its parts 4. Music tectonics 5. Musical ideas 6.Blocks of music 7. Tectonic functions of music 8. The period and irregular sentence form 9. Small two-part and three-part form 10. Large two-part and three-part form 11. Fugue 12. Variation 13. Sonata form 14. Rondo 15. Cyclical forms 16. Compound and free forms
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming)
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Learning outcomes
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The course aims to introduce the students into the gender issues connected with musicology and music itself.
Knowledge of gender issues connected with music.
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Prerequisites
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A solid overview of the Czech and world music history is required.
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Assessment methods and criteria
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Oral exam
Essay, pass the exam
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Recommended literature
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Beci, Veronika. Musikalische Salons..
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Citron, Marcia, J. Feminist Waves and Classical Music: Pedagogy, Performance, Research. University of Nebraska Press 2004..
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Citron, Marcia, J. Gender and the Musical Canon. Illinois 2000..
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Macclary, Suzan. Feminine Endings: Music, Gender and Sexuality. University of Minnesota Press 2002..
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McClary, Susan. Feminine Endings. Music, Gender and Sexuality. Minneapolis 2002..
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Solie, Ruth A. Musicology and Difference. Gender and Sexuality in Music Scholarship. Berkeley 1993..
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Unseld, Melanie. "Man töte dieses Weib!" Weiblichkeit und Tot in der Musik der Jahrhundertwende. Stuttgart 2001..
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