1. Singing and Identification of Melodic Intervals Exceeding the Octave The intonation and record of these ascending and descending intervals: ninth, tenth, eleventh, twelfth, thirteenth, fourteenth, double octave. 2. Singing and Identification of Harmonic Intervals Exceeding the Octave The intonation and record of these intervals that sound in consonance: ninth, tenth, eleventh, twelfth, thirteenth, fourteenth, double octave. 3. Singing and Identification of Diatonic Seventh Chords Based on Major and Minor with Their Inversions The intonation and record of four diatonic seventh chords with their inversions, whose fifth chord has a major or minor basis: diminished minor, diminished diminished, augmented major. 4. Singing and Identification of Diatonic Seventh Chords Based on Diminished and Augmented Fifth Chord with Their Inversions The intonation and record of three diatonic seventh chords with their inversions whose fifth chord has a diminished or augmented base: diminished minor, diminished diminished, augmented major. 5. Singing and Identification of Ninth Chords and Polychords The intonation and record of ninth, eleventh, and thirteenth chords within one's abilities. 6. Continuous Dictation The record of studied phenomena mentioned above with the help of relative hearing in the framework of the hearing dictation. 7. Intonation in Modes of a Major Scale The orientation in a major scale and its modes - the identification and singing (ascending and descending): Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian. 8. Auditory Analysis of Modes of a Major Scale The auditory identification and analysis of the phenomena mentioned above in a concrete recordings in the framework of the artificial as well as non-artificial music. 9. Basics of Harmony in Major Pitch The auditory analysis of main harmonic functions in major pitch, the identification of common chord connections: T S D; II V I, III VI II V I, etc. 10. Basics of Harmony in Minor Pitch The auditory analysis of main harmonic functions in minor pitch, the identification of common chord connections: T S D; II V I, III VI II V I, etc. 11. Intonation of Less Common and Exotic Scales and Modes The orientation in following scales and modes: symmetric scales (chromatic, whole tone, diminished, augmented), melodic minor modes, Gypsy scales, etc. 12. Continuous Dictation The record of studied phenomena mentioned above with the help of relative hearing in the framework of the hearing dictation.
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