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Lecturer(s)
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Course content
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Counterpoint of 2 voices: cantus firmus, counterpoint 1:1, 2:1, 4:1, syncophical counterpoint, mixed counterpoint, free counterpoint of 2 voices, imitation. Work with the text. Introduktion to the problems of the vocal counterpoint of 3 voices. Counterpoint of 2 voices: cantus firmus, counterpoint 1:1, 2:1, 4:1, syncophical counterpoint, mixed counterpoint, free counterpoint of 2 voices, imitation. Work with the text. Introduktion to the problems of the vocal counterpoint of 3 voices.
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Learning activities and teaching methods
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Dialogic Lecture (Discussion, Dialog, Brainstorming), Methods of Written Work
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Learning outcomes
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Problems of vocal counterpoint of two and three voices.
Orientation in the problems of vocal counterpoint.
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Prerequisites
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Good orientation in elementar musical theory and harmony.
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Assessment methods and criteria
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Written exam, Student performance
The student has to work out a counterpoint with imitation on a given theme. Working out different types of counterpoint to a given cantus firmus. Discussion on problems of vocal counterpoint of 2 and 3 voices.
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Recommended literature
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Hůla, Zdeněk. Nauka o kontrapunktu. Praha 1985..
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Jeppesen, Knud. Kontrapunkt, Leipzig 1956..
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