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Lecturer(s)
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Kopecký Jiří, doc. PhDr. Ph.D.
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Křupková Lenka, doc. PhDr. Ph.D.
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Course content
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Contents: 1. Introductory session, overview of the program and seminar organization (Kopecký) 2. Leoš Janáček's operas: models, inspiration, types (Kopecký) 3. Leoš Janáček's operas: plans, versions, forms (Kopecký) 4. Seminar discussion with Assoc. Prof. Jiří Zahrádka on an assigned topic 5. Janáček's opera The Makropulos Case as an example of the so-called "Literaturoper" (Křupková) 6. Seminar discussion with Assoc. Prof. Křupková on an assigned topic 7. Janáček's operas in Ostrava: a director's perspective (J. Nekvasil) 8. Janáček's operas in Brno: Osuda dramaturg's perspective (P. Částková) 9. Seminar discussion with Jiří Zahrádka; the genesis of Janáček's operas, directorial approaches 10. Seminar discussion with J. Kopecký; Her Stepdaughter, The Excursions of Mr. Brouček, Káťa Kabanová 11. Seminar discussion with J. Kopecký; The Adventures of the cunning little vixen, From the House of the Dead 12. Conclusion of the seminar in the form of a short knowledge test.
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Learning activities and teaching methods
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Dialogic Lecture (Discussion, Dialog, Brainstorming), Group work, Listening
- Attendace
- 24 hours per semester
- Homework for Teaching
- 26 hours per semester
- Preparation for the Exam
- 25 hours per semester
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Learning outcomes
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This seminar, which combines lectures with discussions on assigned topics, will explore the interpretive tradition of the operas by the famous Czech composer Leoš Janáček. Students will become familiar with Janáček's operatic works, which attract the attention of a wide range of audiences. They will gain an understanding of the composer's contribution to modern European opera and will learn about the history and current state of stage productions of his works in the Czech Republic (at the country's major theaters) and abroad. Faculty members from the theater studies and musicology departments in Olomouc and Brno contribute to the course. The guest of honor and the proverbial "icing on the cake" of one of the seminar sessions will be director Jiří Nekvasil, who will present his production of "Jenůfa" and the opera "The Fate."
Students will become familiar with Janáček's operatic works, which attract the attention of a wide range of audiences. They will gain an understanding of the composer's contribution to modern European opera and will learn about the history and current state of stage productions of his works in the Czech Republic (at the country's major theaters) and, where applicable, abroad.
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Prerequisites
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An interest in the works of Leoš Janáček, in music and theater.
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Assessment methods and criteria
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Student performance, Seminar Work
We expect students to possess basic academic skills: an interest in the course material, an active participation in class discussions, and independent preparation. Students must attend at least 75% of the seminar sessions (they may be absent twice; a third absence must be documented with a relevant certificate). The seminar will conclude with a short knowledge test.
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Recommended literature
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Bártová, Jindřiška - Holá, Monika. Režijní přístupy k operám Leoše Janáčka v Brně. Brno. 2004.
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Gier, Albert. (2004). Libreto. Definice a perspektivy výzkumu. Praha, Spurná, H. (ed.): Hudební divadlo jako výzva.
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Křupková, Lenka. (2017). Čapek's Feminism and Janáček's Femme Fatale: Notes on traditional Opera Aesthetics in Janáček's opera The Makropulos Case. New York, Lenka Křupková, Jiří Kopecký, et al, Czech Music around 1900.
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Kundera, Milan. Můj Janáček [k vydání připravila Jitka Uhdeová]. Brno. 2014.
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Mikulášková, Eva - Spurná, Helena a kol. Opery Leoše Janáčka v Národním divadle moravskoslezském. Ostrava. 2018.
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Štědroň, Miloš. Leoš Janáček a hudba 20. století : paralely, sondy, dokumenty. Brno. 1998.
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Tyrrell, John. Janáček : years of a life. Volume 1 (1854-1914),The lonely blackbird. London. 2006.
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Tyrrell, John. Janáček : years of a life. Volume 2 (1914-28), Tsar of the forests. London. 2007.
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Vogel, Jaroslav. (1997). Leoš Janáček. Praha.
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Wasserbauer, Miloš. Slovenské divadlo 7, 1959, č.2, s. 135?143. 1959.
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