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Lecturer(s)
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Keprt Marek, doc. MgA. Ph.D.
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Course content
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Finger-exercise, etudes, compositions of various styles. Short improvisations on a given theme.
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Learning activities and teaching methods
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Demonstration, Activating (Simulations, Games, Dramatization)
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Learning outcomes
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Problems of piano (harpsichord) technique and interpretation. Basic methods of improvisation.
The student is abel to work alone on the problems of piano technique and interpretation.
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Prerequisites
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Advanced piano playing (conservatory level)
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Assessment methods and criteria
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Student performance, Analysis of Creative works (Music, Pictorial,Literary)
Public performance at the students concert of the department
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Recommended literature
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Bree, Malvine. (1997). The Leschetizky Method. A Guide to Fine and Correct Piano Playing.
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Cortot Alfred. (1928). Rational Principles of Pianoforte Technique. Paris.
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Gellrich, Martin. (1992). Üben mit Liszt. Wiederentdeckte Geheimnisse aus der Werkstatt der Klaviervirtuosen. Fraunfeld.
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Hofmann, Josef. (1976). Piano Playing. With Piano Questions Answered.
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Koblížková, Eugenie. Klavírní myšlení Ivana Klánského. 2023.
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Kratzert, Rudolf. Technik des Klavierspiels. Ein Handbuch für Pianisten. Kassel. 2004.
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Kurz, Vilém. Technické základy klavírní hry, Praha 1949.
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Milštejn, Jakov Izakovič. (2004). Študie o Chopinovi. Pedagogika G. G. Neugauza. Bratislava.
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Neuhaus, Heinrich. (1973). The Art Of Piano Playing. New York.
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Rajnohová, Alice. (2023). Dějiny klavírního umění. Brno.
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Safonov, Vasilij. (1915). New Piano Formula. London.
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Tichá, Libuše. Slyšet a myslet u klavíru. Praha. 2009.
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