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Lecturer(s)
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Křupková Lenka, doc. PhDr. Ph.D.
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Course content
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1. Aesthetic and Cultural Foundations of Music in the First Half of the Twentieth Century 2. Music at the Turn of the Twentieth Century: Late Romanticism and Modernism 3. Impressionism, Symbolism, and New Forms of Musical Modernism 4. Expressionism and the Beginnings of Atonality 5. Arnold Schoenberg and the Twelve-Tone Method 6. Alban Berg, Anton Webern, and the Circle of the Second Viennese School 7. Neofolklorism and the Changing Relationship to Folk Music 8. Neoclassicism and the Return to Musical Tradition 9. Igor Stravinsky: Transformations of His Compositional Style 10. Russian Modernism and the Avant-Garde 11. Soviet Music between the Avant-Garde and Socialist Realism 12. American Music and the American Avant-Garde in the First Half of the Twentieth Century
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Listening
- Preparation for the Exam
- 25 hours per semester
- Attendace
- 4 hours per semester
- Semestral Work
- 12 hours per semester
- Homework for Teaching
- 34 hours per semester
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Learning outcomes
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The aim of the course is to provide an overview of the principal developmental trends and leading composers in European music from the turn of the twentieth century to the interwar period. Particular attention is paid to the evolution of musical thought and to the broader aesthetic and cultural contexts of musical life. The course focuses primarily on the following stylistic movements: late Romanticism and early twentieth-century music, Expressionism, Neoclassicism, and Neofolklorism.
Upon successful completion of the course, students will have acquired an overview of the principal aesthetic and compositional styles, movements, leading composers, and representative works of twentieth-century music. Students will be able to: - independently design dramaturgical concepts for concert programmes, opera productions, and music festivals focusing on twentieth-century music; - select representative repertoire with due regard to its historical, aesthetic, and stylistic context, performance requirements, the intended audience, and the mission of a particular musical institution, and to justify their dramaturgical decisions on scholarly grounds; - to analyse and compare representative works of twentieth-century music with regard to their compositional techniques, stylistic characteristics, and aesthetic concepts.
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Prerequisites
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Survey of the History of European Music 1 a 2
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Assessment methods and criteria
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Mark, Written exam
Prior to the commencement of face-to-face teaching, students are required to study the course material specifically prepared for the combined mode of study: KŘUPKOVÁ, Lenka (2013). Dějiny hudby 20. století 1. Olomouc: Palacký University.
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Recommended literature
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BEK, JOSEF:. Hudební neoklasicismus, Praha 1982.
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COOK, NICHOLAS - POPLE, ANTHONY (eds.). The Cambridge History of Twentieth Century Music. .
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DANUSER, H.:. Die Musik des 20. Jahrhunderts. Neues Handbuch der Musikwissenschaft, Bd. 7. Laaber 1996..
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Dibellius, Ch.:. Moderne Musik I 1945-65. München 1991.
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Dibellius, Ch.:. Moderne Musik II 1965-85. München 1994.
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DRUSKIN, MICHAIL, SEMJONOVIČ. Igor Stravinskij : osobnost, dílo, názory. Praha 1981..
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DRUSKIN, MICHAIL, SEMJONOVIČ. O západoeurópskej hudbe 20. storočia. Bratislava 1976..
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HRADECKÝ, E. Paul Hindemith: svár teorie s praxí. Praha 1974..
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HRČKOVÁ, Naďa. Dějiny hudby. I. ? VI. díl. Praha.
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Kolektiv autorů. Handbuch der Musik im 20. Jahrhundert, 1-12 Bde. Laaber..
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KOLNEDER, W. Anton Webern. Einführung in Werk und Stil. Rodenkirchen 1961..
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Křupková, Lenka. Dějiny hudby 20. století I. Olomouc: VUP, 2013..
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MORGAN, ROBERT P.:. Twentieth Century Music. A History of Musical Style in Modern Europe and America. New York-London, W.W. Norton 1992.
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NAVRÁTIL, MILOŠ:. Nástin vývoje evropské hudby 20. století, Ostrava 1993.
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SCHERLIESS, V. Igor Stravinskij und seine Zeit. Laaber 2002..
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SCHNIERER, MILOSLAV. Svět orchestru 20. století, Praha 1995, 1998, 1999.
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SCHÖNBERG, ARNOLD. Styl a idea. Praha 2004..
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STRAVINSKIJ, I. Hudobná poetika. Kronika mojho života. Bratislava 2002..
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STUCKENSCHMIDT, H. H. Arnold Schönberg. Praha 1971..
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SUTHERLAND, ROGER. New Perspectives in Music, London 1994.
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VYSLOUŽIL, JIŘÍ:. Hudobníci 20. storočia, Bratislava 1981.
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WEID, JEAN-NOËL von der. Die Musik des 20. Jahrhunderts. Frankfurt am Main 2001..
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