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Lecturer(s)
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Spáčilová Jana, doc. Mgr. Ph.D.
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Course content
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The lecture combines a genre-based approach with insights into the contributions of individual composers. The various topics are presented in the form of repertoire explorations. 1. Introduction - definition of the period, key characteristics 2. Opera buffa (Giovanni Battista Pergolesi) 3. French opera (Jean-Philippe Rameau) 4. Opera seria and its reform (Christoph Willibald Gluck) 5. Singspiel (Karl Ditters von Dittersdorf) 6. The galant style (Johann Joachim Quantz) 7. Empfindsamkeit (Carl Philipp Emanuel Bach) 8. The Birth of the Symphony (Jan Stamic) 9. The String Quartet (Joseph Haydn) 10. The Symphony (Wolfgang Amadeus Mozart) 11. The Piano Sonata (Ludwig van Beethoven) 12. Italian Opera in the Czech Lands (Josef Mysliveček)
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training), Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook)
- Preparation for the Exam
- 40 hours per semester
- Preparation for the Course Credit
- 10 hours per semester
- Homework for Teaching
- 71 hours per semester
- Semestral Work
- 20 hours per semester
- Attendace
- 9 hours per semester
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Learning outcomes
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The mission of the lecture is to introduce to students the stylistic and developmental trends in European music in the 2nd half of the 18th century.
Obtaining of the reliable orientation in the historic, stylish, functional, aesthetic and theoretical issues of music of music from the second half of the 18th century.
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Prerequisites
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The course is intended for upper-year students, a prerequisite is successful completion of the course "An Overview of the History of Music".
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Assessment methods and criteria
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Oral exam, Written exam, Student performance, Seminar Work
The regular visit of the lessons. The seminary work.
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Recommended literature
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Bohadlo Stanislav. (1988). Materiály k dějinám hudby, sociologie, estetiky III. Období baroka. Hradec Králové.
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Braun, Werner. (1981). Die Musik des 17. Jahrhunderts. Athenaion Verlag.
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Dahlhaus Carl. (1994). Die Musik des 18. Jahrhunderts. Laabler Verlag.
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Eggebrecht H. H. (1991). Musik im Abendland. Mnichov.
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Einstein, Alfred. Wolfgang Amadeus Mozart. Život a dílo. Praha. 2018.
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Freeman Robert. Josef Mysliveček: Život a dílo. Praha. 2022.
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Kačic Ladislav. (2009). Dějiny hudby III. Baroko. Bratislava.
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Kouba Jan. (1988). ABC hudebních slohů. Praha.
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Manfred F. Bukofzer:. Music in the Baroque Era. New York 1947. Kniha je dostupná také ve slovenském (Bratislava 1987) a německém překladu..
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Michels Ulrich. (2000). Encyklopedický atlas hudby. Praha.
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Poštolka, Milan. Mladý Joseph Haydn. Jeho vývoj ke klasickému slohu. Praha. 1988.
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Rosen, Charles. The classical style : Haydn, Mozart, Beethoven. London. 1997.
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Smolka Jaroslav. (2001). Dějiny hudby. Brno.
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Šišková, Ingeborg. Dějiny hudby. IV., Klasicismus. Praha. 2012.
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Štědroň Miloš. (1985). Monteverdi: génius opery. Praha.
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Taruskin Richard. (2000). The Oxford History of Western Music, Vol. 2, The Seventeenth and Eighteenth Centuries. Oxford.
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Trojan Jan. (2001). Dějiny opery. Litomyšl.
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Ulrich, Michels. (2000). Encyklopedický atlas hudby. Klasicismus. Praha.
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