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Lecturer(s)
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Keprt Marek, doc. MgA. Ph.D.
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Course content
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Influences on the music of Ligeti´s early period. Bela Bartok. Early period - Analysis of the 1. string quartet and Musica ricarcata. Ligetis output in the 60´in musical context - Scelsi, Xenakis. Atmosphere, Aventures. Musical theater. Requiem, Ramifications, Lontano Compositions for organ and harpsichord The opera project: La Grande Macabre. Ligeti in context of minimalism. Conlon Nancarrow 3 Pieces for 2 pianos - analysis. Alusions. Ligetis late word. The pianoetudes. The question of tuning and microtonality. Last works.
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Learning activities and teaching methods
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Lecture, Observation
- Attendace
- 18 hours per semester
- Homework for Teaching
- 46 hours per semester
- Semestral Work
- 12 hours per semester
- Preparation for the Exam
- 24 hours per semester
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Learning outcomes
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To achieve an analytical insight into the music of G. Ligeti and the broader context of the music of the second half of the 20th century.
Good orientation in the output of G. Ligeti and ability to put his works in historical, theoretical and esthetical context of his time
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Prerequisites
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Very good founding in music theory and music history of the 20th century
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Assessment methods and criteria
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Mark, Written exam, Student performance
Requirements: Analysis of a composition of G. Ligeti. Study of literature. 70percent attendance in the classes.
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Recommended literature
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Floros, Constantin. (2014). Gyoergy Ligeti. Peter Lang Verlag.
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Hrčková, Naďa. (2007). Dějiny hudby 6: Hudba 20. století (2). Praha.
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Levy, Benjamin R. Metamophosis in Music. The Compositions of G?orgy Ligeti in the 1950s amd 1960s. 2019.
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Metzger, Heinz Klaus, Riehn, Rainer (Vyd.). (1987). Musik-Konzepte 53: György Ligeti. Mainz.
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Ross, Alex. Zbývá jen hluk. Naslouchání dvacátému století. Praha. 2011.
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Steinitz, Richard. (2003). Gyorgy Ligeti: Music of the imagination.
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