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Lecturer(s)
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Černík Jan, Mgr. Ph.D.
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Hain Milan, Mgr. Ph.D.
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Ptáček Luboš, doc. Mgr. Ph.D.
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Bilík Petr, Mgr. Ph.D.
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Course content
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unspecified
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Learning activities and teaching methods
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Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook)
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Learning outcomes
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The aim of the subject is a deeper introduction to more recent streams in the film theory.
Enlarging knowledge of the history of the film theories, gaining skills with work with a scientific text.
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Prerequisites
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No prerequisites. A more detailed orientation in the history of the film theory.
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Assessment methods and criteria
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Student performance, Seminar Work
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Recommended literature
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Braudy, L., & Cohen, M. M. (2009). Film theory and criticism: introductory readings. New York, N.Y: Oxford University Press.
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Casetti, F., & Giordanová, H. (2008). Filmové teorie 1945-1990. V Praze: Akademie múzických umění.
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Jameson, F. (1994). The political unconscious: narrative as a socially symbolic act. Ithaca: Cornell University Press.
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Jameson, Fredric. Postmodernism, or, the Cultural Logic of Late Capitalism, Duke University Press, Durham 2005.
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KRACAUER, Siegfried. (1958). Dějiny německého filmu od Caligariho k Hitlerovi. Praha : SPN.
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Metz, C., & Pechar, J. (1991). Imaginární signifikant: psychoanalýza a film. Praha: Český filmový ústav.
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