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Lecturer(s)
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Course content
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Methodological approaches towards cinematography. Theoretical schools and approaches. The interpretation of a film work. 1. The acquintance of the scientific literature. 2. Formalities professional work (choice of topic, selection of literature, work plan) 3. Methodological approaches to cinema (analysis, interpretation, criticism) 4. Overview of theoretical schools and movements 5. Formalism. 6. Structuralism. 7. Psychoanalysis. 8. Ideological criticism. 9. Feminist criticism. 10. Neoformalism 11. Application Example I. Vittorio De Sica - Bicycle Thieves (1948) 12. Application Example II. Robert Bresson - Lancelot of the lake (1977)
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training)
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Learning outcomes
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The aim of the proseminar in subject methodology (concerning film studies) is introducing the scientific literature and preacquintance of a few basic scholastic approaches to cinematography.
A student will be presented the basic methodological rules used for a film work research.
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Prerequisites
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The knowledge of the basic literature recommended at the entrance examination.
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Assessment methods and criteria
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Dialog
Presence at the semminar - 75%.
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Recommended literature
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Bordwell, David. (1996). Making Meaning. Inference and Rhetoric in the Interpretation of Cinema. Harvard .
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Bordwell, David; Thompson, Kristin. (1997). Film Art.
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Casseti, Francesco. (2008). Filmové teorie 1945-1990. Praha .
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Eco, Umberto. (1997). Jak napsat diplomovou práci. Olomouc.
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Newton, Kenneth M. (2008). Jak interpretovat text. Praha .
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