|
Lecturer(s)
|
-
Bernátek Martin, Mgr. Ph.D.
|
|
Course content
|
Classwork introduces the bases of critical work, requirements for critical reflexion of contemporary theatre events and with basic theatre-critics genres. Thematic topics: Entry discussion on present-day theatre Situation of contemporary theatre critique Relationship between theatre nad critique Profile of theatre citicist Demarcation of theatre-critics area - critique function (studies of given literature, papers) Theatre-critics genres (analysis of model texts) Critical reflexion of critique Critical reflexions and their evaluation
|
|
Learning activities and teaching methods
|
|
Dialogic Lecture (Discussion, Dialog, Brainstorming), Work with Text (with Book, Textbook)
|
|
Learning outcomes
|
Course provides the introduction to the issue of theatre criticism. Lectures will introduce criticism as a part of theatre studies, its function and main goals and possible present progress. Students will learn about theatre-critics genres. Course emphasis critical thinking of students by giving practical tasks. It develops student's analytic skills using discussion and polemic abilities.
Student will master basic theatre-critics styles by practical form and will prepare to join festival editors teams (Labyrinty herectví, Divadelní Flora, Ostravar et.) and for own publication in daily and technical journals.
|
|
Prerequisites
|
Necessary is the knowledge of the theatre theory within the range of the first year of studies (theatre seminar - analysis, Introduction to theatre studies. It is recommended to read at least one books from the list of the recommended literature.
|
|
Assessment methods and criteria
|
Student performance, Seminar Work
At least 75% attendance and active discussion on lectures. Students will work out their own papers from special literature ( for opening lectures) during semester further more 2 individual written reflexions based on given problem (reflexion of chosen inscenation, separat theatre-critical genres, maping of Olomouc's theatres, theatre festivals et.)
|
|
Recommended literature
|
-
BARTHES, Roland. (1997). Kritika a pravda. Praha - Liberec.
-
CÍSAŘ, Jan. (1994). Kdybychom to tak věděli. Divadelní noviny .
-
ČERNÝ, Václav. (1968). Co je kritika, co není a k čemu je na světě. Brno.
-
Grossman, J., Dvořák, J., Klíma, M., & Jindrová, Z. (2000). Jan Grossman. Praha: Nakladatelství Pražská scéna.
-
HAVEL, Václav. (1999). O kritice. Praha, Spisy 3.
-
HOŘÍNEK, Zdeněk. (2001). Kritický paradox. Praha, Divadelní revue 12, 2001, č. 4, s.3-8.
-
MACHALICKÁ, Jana. (1998). Kdokoliv může psát cokoliv. Literární noviny , Literární noviny .
-
PAVIS, Patrice. (2010). Současný stav výzkumu v oblasti analýzy představení. Praha, Divadelní revue 21, 2010, č. 1, s. 12.
-
PAVLOVSKÝ, Petr. (2004). Základní pojmy divadla. Teatrologický slovník. Praha.
-
RUTTE, Miroslav. (1940). 20 kázání o divadle. Praha.
-
ŠALDA, F. X. (1987). O věcech divadelních. Praha.
-
Štěrbová, A., Šimáček, I., & Štefanides, J. (1990). O současném činoherním divadle. Ostrava: Profil.
|