| Course title | Current International Research |
|---|---|
| Course code | KDU/CIRF |
| Organizational form of instruction | Seminar |
| Level of course | Master |
| Year of study | not specified |
| Semester | Winter and summer |
| Number of ECTS credits | 3 |
| Language of instruction | English |
| Status of course | Compulsory-optional |
| Form of instruction | Face-to-face |
| Work placements | This is not an internship |
| Recommended optional programme components | None |
| Course availability | The course is available to visiting students |
| Lecturer(s) |
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| Course content |
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Subject consists of several lectures delivered by two young researchers: Alexandra Ksenofontova from Freie Universität Berlin published a book The Modernist Screenplay, which explores the film screenplay as a genre of modernist literature. It connects the history of screenwriting for silent film to the history of literary modernism in France, Germany, and Russia. Lectures: 26 October, 2 November, 9 November Patrik Tamás Mravik is a graduate student of the History and Cultural Heritage MA programme of Eötvös Loránd University. His doctoral research, conducted in ELTE Atelier Department of Interdisciplinary History, focuses on the history of early Kádár-era fiction films and the connections between ideology and storytelling. Lectures: 16 November, 23 November, 30 November
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| Learning activities and teaching methods |
| unspecified |
| Learning outcomes |
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The goal of the course is to present selected on-going research projects and methods to students and to develop international cooperation.
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| Prerequisites |
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unspecified
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| Assessment methods and criteria |
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unspecified
TBA |
| Recommended literature |
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| Study plans that include the course |
| Faculty | Study plan (Version) | Category of Branch/Specialization | Recommended semester | |
|---|---|---|---|---|
| Faculty: Faculty of Arts | Study plan (Version): Film Studies (2019) | Category: Theory and history of arts | - | Recommended year of study:-, Recommended semester: - |