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Lecturer(s)
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Štěpánek Pavel, prof. PhDr. Ph.D.
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Course content
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The Muslim invasion and the creation of the emirate and caliphate in Cordoba; introduction and diffusion of the Moslem architecture in Europe in the indicated countries, including the echo in the last 19th C. (for example, the Spanish Synagogue at Prague). Origin of the taifs´dominations and architecture, alhoravide and almohade art (art of the North African tribes in the territories of Spain, Normand Sicily and Muslims. The art of the Muslims adversaries Wisigods and Austria Mozarab art art of the Cristian's under the Moslem rule Mudéjar art art of the Moslems under the Christian rule It is used the comparative formal method, combined with sociological and historico-political dates
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Learning activities and teaching methods
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Monologic Lecture(Interpretation, Training), Demonstration
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Learning outcomes
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The purpose of the lectures is to present the penetration of the of the Muslim culture, especially of architecture and the decorative arts (in the case of the Mozarabic art the manuscripts, too) in the European context, after all in Spain, Portugal, Italy an England (Durham).
have an outline of the history of Spain
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Prerequisites
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It is assumed general knowledge of the European architecture medieval styles; the alumnus will be able not only to self-orientation in the Mediterran zone, but he will be prepared to understand better the evolution of the architecture in the Balcan zone. The curse deals with the entry of the Islamic culture in Europa in 711 and its surviving till the year 1492 (or till the 17th Century.
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Assessment methods and criteria
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Dialog
presentation of the basic problems, coincidences and differences of the Spanish art in comparison with the European, specially Italian, Art
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Recommended literature
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Pavel Štěpánek. (1998). Španělské umění od Altamiry po Picassa. Olomouc.
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